I’m glad I read Down to Sheol, even though it is well outside of my normal bailiwick. This book contains no ogres, princesses, zap
guns, hyperspace malfunctions, or hungry gods lurking in lava filled arctic
caves. Instead, it’s a modern day noir
set amid the small stakes of rural south Texas county politics. Add to that, I’m a PG guy who tries to avoid
R rated media, and Down to Sheol is a
brutally explicit book filled with explicitly loathsome villains. The camera never looks away from them as they
engage in their various depredations.
Right off the top, let me just state that I bought this book
after reading a few articles that the author, M. T. White, had posted on Return of Kings. Those articles provided independent confirmation
for the Pulp Revolution’s push for masculine narratives that reflect real
people and real relationships is not an outlier. In fact, the Pulp Revolution is not
unique. There are a wealth of people
coming around to the need for actual heroic protagonists. For whatever reason, there is a growing
market for stories featuring black and white morality coupled with men driven
to do the right thing no matter the cost, and who win against all odds. M. T. White is an author who came to that
conclusion outside of the Pulp Magazine framework, and I wanted to read Down to Sheol to get a sense of the parallel
development of these ideas inside the modern day thriller world of
self-publishing. If my initial scouting
foray is any indication, masculine writing is in the nascent stages of making a
real comeback.
M. T. White writes with a ruthless minimalism that results
in a gripping read. This story of small
town politics might read like a small stakes version of the Dallas TV show, but
White’s characters leap off the page and his plot races ahead at breakneck
speed. This is the closest thing to a modern
day noir story written with the plain-writ style of a Dashiell Hammett or Mickey
Spillane that I’ve read in a long time.
I could have done without the explicit sexual content. As mentioned above, my preference is for
scenes where that sort of chicanery occurs off-screen. A few hints and suggestions suffice; my
imagination can fill in the details.
That’s a personal preference, and if you have a stronger stomach for
that sort of writing, don’t let my warning hold you back. That said, none of these scenes felt
gratuitous. They each provide an
all-too-clear look into the dark souls of the novel’s antagonists. These scenes revealed their true character
and helped establish the stakes and give the reader concrete reasons to sneer
and feel disgust whenever the villains were on screen. The brutal honesty with which White presents
these villains is as transparently manipulative as it is forgivably effective.
I have an easier time reading explicit violence, but found myself wincing at times. White's writing isn't just graphic, its gripping. He writes fight scenes in such a way that you almost feel each blow land yourself. It's powerful stuff, and it gives his fight scenes a weight and suspense that you don't read very often. The stakes in each scene are very real, and even if you think the right man will win, the action goes so fast and so visceral that you always have that little shred of doubt whether the hero really will make it out alive.
I have an easier time reading explicit violence, but found myself wincing at times. White's writing isn't just graphic, its gripping. He writes fight scenes in such a way that you almost feel each blow land yourself. It's powerful stuff, and it gives his fight scenes a weight and suspense that you don't read very often. The stakes in each scene are very real, and even if you think the right man will win, the action goes so fast and so visceral that you always have that little shred of doubt whether the hero really will make it out alive.
The villains are balanced out by protagonists who are both
fully fleshed out, completely sympathetic, and good-hearted down to their
core. The female lead starts off in a
very compromising situation, and watching her slowly extricate herself from the
clutches of evil is gratifying. The hero
of the piece has his flaws, but they are understandable – it’s not paranoia if
they really are out to get you. He is
the strong, plain-spun, quiet and capable type of hero that’s hard not to root
for. He also has a wisdom beyond his
years that give him that competent underdog status that again, makes your heart
go out to him. As if that wasn’t enough,
White presents him as a natural romantic leading man. He doesn’t white knight – his first meeting
with the female lead, he basically shuts her out…which of course makes her all
the more intrigued by him. It’s
refreshing to read a masculine lead who knows how to handle a woman like
that. It’s a rarity these days.
This is a good read. Due
to its explicit nature, it wasn’t a particularly a fun read for a square like
me. Even so, White’s writing pulled me in. The man knows how to craft a good story with
great characters. If you need a break
from the aliens and dragons, then you should give him a shot. If he keeps writing like this, he’s going to
be one of those self-publishing authors who succeeds based on his own talent
and hard work, not due to his friends in the publishing world.